Iulia Octavia
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Paintings
Illustration
Moss Bodies
Much like the surroundings, it echoes a memory of humanity in a now abandoned place, waiting for time and the elements to chip away slowly at its form. In time, the figures will become part of the surrounding debris, having been experienced by explorers in various stages of their existence and interacted with in whatever way they see fit.
Nestled in one of the dilapidated buildings of the Lake Dolores Waterpark, the mossy figure lies peacefully in a bed of growth and flowers. Amongst the rubble and debris, leftover spray paint cans and signs of human touch long since forgotten, it rests with its head looking up at an opening in the roof, watching the sunset every evening.
Towering over the viewer, this larger than life figure solemnly stands surrounded by an artificial forest of its own design. Hanging from the branches are Calusari masks, calling back to a pagan winter tradition in Romania where the streets are overtaken by a parade of monsters and animals to scare off the evil and bring about abundance and prosperity for the warmer seasons.
The figure, overgrown with moss, holds a MacGyvered woodworking tool and an unfinished mask, pulled from a pile of works in progress at its feet. Culturally, the masks and the war dance they are worn during are only allowed to be made and perfomed respectively by men.
Through exclusion and disconnection, the piece serves as a self-portrait of someone desperately trying to carve a space within their own heritage.
Sculpture

PUNCTURE, 2025
 Steel, nylon stockings, pleated fabric, pins, bows, audio
The form of the figure is inspired by men's body position during their action of having sex in the porn videos. The female actresses appear in very carefully curated ways to ensure they remain sexy and attractive throughout the videos. This is exemplified through their arched backs, spread legs, breasts on display. The male actors assume hunched positioning: their spines curve and bend forward in the attempt to get as much of themselves into the woman as possible.
The audio pulls from several professional pornographic films, where a childish, teenage schoolgirl, played by adult women, visits a professor at his house for some form of lesson, extra credit, or assignment. These films have amassed over 2 million views, each, with the main audio coming from a film with over 4 million views.

BOIL, 2024
 Cast aluminum from melted styrofoam

Lilith, 2024
 Cast and welded aluminum
 8 in. x 8 in. x 5 in.
Lilith is a reconception of the Garden of Eden and the first temptation of humanity. Lilith and Adam were both created from the same clay at the same time, but parted when Lilith refused to live subserviently to her equal, Adam. In response, God created Eve as a partner to Adam, this time from Adam's rib. Yet, Eve was later tempted by a serpent to gain wisdom apart from God.
Lilith proposes the possibility that the serpent, commonly believed to be Satan, could have been the fugitive Lilith, imparting the same wisdom that allowed her to break from the bounds of servitude onto Eve, another woman fated to be lesser than Adam. Lilith being created of cast and welded industrial aluminum calls to the coldness and evil projected onto her. In Lilith, a woman’s spine is the allegory for the objectification of the feminine form, stripped of the vulnerability for what she is commonly objectified by. Her objectification borders on the uncanny and inhuman; Lilith twists, the Atlas vertebra and the viewer are suspended in each other’s gaze.
Idly By, 2023
 Cast aluminum, fishbone chain, tree root
 Dimensions variablePrivate collection

La Mijloc, 2020
 Rhyolite, Nevada
 Welded steel, sandless grout
 36 in. x 24 in. x 24 in.Goldwell Open Air Museum, 2021
A near life-size replica of a mining cart that is famously suspended in an underground salt lake within the Cacica Salt Mine in Suceava, Romania. The work symbolizes a piece of the history and heritage of my family, who originate from that area, brought into another historic mining town in the region where I live currently.
A Binding Oath: The Punk-y Promise, 2020
 Cast aluminum, wood, steel chain
 21 in. x 11 in. x 3 in.
The yubikiri genman or, the pinky swear, represents a promise or deal made between two individuals at the exchange of vulnerability, as one could break the pinky of the other if this promise is broken. From this sideways position, the stakes and risk of harm are much lower, indicating that the promise is being made without threat and out of an act of loyalty rather than self-preservation.

The piece was created as a memorial for the late UNLV professor, Roxy Montoya, who served as a beloved friend and mentor.

Sicriu, 2021
 Weathered pallet wood, Douglas Fir, coffee grounds, mixed media
 58 in. x 25 in. x 20 in.
This piece is functional coffee table, fit with a tempered glass top and made from weathered palette wood, resembling a historic coffin. Within this funerary box, there is a corpse packed tightly and uncomfortably in dirt as if the lid caved in from the weight of the earth. Moss and vinery is now growing from this “living corpse” as it is slowly being reclaimed by nature.
The weathered coffin and decomposing form is reminiscent of the first recorded natural burials often practiced in Medieval times. The “dirt” is a mixture of dried and fresh coffee grounds to prevent any insects or bacteria to live inside the table yet still maintain its earthy qualities.
About me
Iulia Filipov-Serediuc is an interdisciplinary artist confronting the ideas of mortality, morality, and notions of tradition. Stemming from a rich history of antiquated beliefs, Filipov-Serediuc inquires if 'things really happened that way'. Using elements from mythology, folklore, and religious ideology, she explores the ephemeral nature of existence through a fantastical lens.Her practice is informed by her Romanian heritage, the visual language and aesthetics of the Old World, and sheer stubbornness. The usage of discarded and alternative materials is a staple within her work, questioning the wastefulness of the modern man and what that squandering will create in the future. Her recent body of work poses the possibility of divinity being found within the experience of the average person. Through a combined practice of foundry, sculpture, and illustration, the imagery she creates contributes to a convoluted world of challenging perspectives and hot takes.Working between foundry, moss, painting, illustration, and the discarded, Filipov-Serediuc investigates the boundaries of form and time. Filipov-Serediuc enjoys building within her community, most proudly as a co-founder of the Desert Biennial Project and My Boyfriend Is Out of Town. Her work has been shown in Nevada, California, New Mexico, Arizona, and New York.Filipov-Serediuc graduated with her BFA in studio art and is currently pursuing an MFA from the University of Las Vegas, Nevada.
Curriculum Vitae
Education
Master of Fine Arts
 University of Las Vegas, Nevada
May 2027
Bachelor of Fine Arts
 University of Las Vegas, Nevada
May 2022
Associate of Arts
 Western Nevada College
May 2017
Professional Experience
City of Las Vegas Parks, Recreation & Cultural Affairs
 Gallery Installer / Art Handler
September 2024 - Present
Marjorie Barrick Museum
 Contract Gallery Installer / Art Handler
March 2024 - August 2024
Brett King Design LLC
 Contracted Fabricator
August 2023 - November 2023
Private
 Contract Fabricator
January 2023 - Present
Freelance
 Gallery Installer / Art Handler
August 2021 - Present
Private
 Studio Assistant
May 2021 - Present
Freelance
 Fabricator
January 2021 - Present
UNLV
 Studio Manager
January 2021 - May 2024
Freelance
 Graphic Designer
April 2015 - January 2023
Exhibitions
Selected Group:
QUEERPOP!
 ASAP Gallery
 Las Vegas, NV
2024
Figuratively Speaking
 UNLV Graduate Research Studios
 Las Vegas, NV
2024
Sculpt.Sure
 UNLV Alta Ham Loft Space
 Las Vegas, NV
2024
VESSEL
 UNLV Grant Hall Gallery
 Las Vegas, NV
2024
I Need Space to Roam
 Left of Center Gallery
 Las Vegas, NV
2024
Queer Monuments
 Winchester Dondero Cultural Center
 Las Vegas, NV
2024
Behind the Mask: The Art of Women Welders II
 Wagner College
 Staten Island, NY
2024
Contemporary Roots: New and Old Traditions
 SITE SANTE FE and Santa Fe Community College
 Santa Fe, NM
2024
The Outside Top
 Screaming Demon Gallery
 Las Vegas, NV
2024
Behind the Mask: The Art of Women Welders
 Culture Lab LIC
 Long Island City, NY
2024
Cupid's Curse II
 Nevada Fine Arts Gallery
 Reno, NV
2024
Stone Soup
 Desert Biennial Project
 Jean Roach Dry Lakebed, NV
2023
This Is How We Do It
 UNLV Alta Ham Loft Space
 Las Vegas, NV
2023
Raggedy Stan's Playpen
 UNLV Grant Hall Gallery
 Las Vegas, NV
2023
OOPS!
 UNLV Grant Hall Gallery
 Las Vegas, NV
2023
Featured Guest
 Saturation Gallery
 Las Vegas, NV
2023
Tremendous
 City Hall Grand Gallery
 Las Vegas, NV
2022
OUT of This World!
 Core Contemporary
 Las Vegas, NV
2022
BFA Thesis Exhibition
 Donna Beam Fine Art Gallery
 Las Vegas, NV
2022
Losing My...
 Vegas Institute for Contemporary Engagement (online)
 Las Vegas, NV
2022
Thoughtfully Myself
 UNLV Student Union Gallery
 Las Vegas, NV
2021
Asbestos Exposure - BFA Midway Exhibition
 UNLV Grant Hall Gallery
 Las Vegas, NV
2021
Back At It
 UNLV Student Union Gallery
 Las Vegas, NV
2021
Artist Funk
 Saturation Gallery
 Las Vegas, NV
2021
In Depth Exhibition
 UNLV Student Union Gallery
 Las Vegas, NV
2021
Annual Juried Student Exhibition
 Donna Beam Fine Art Gallery (online)
 Las Vegas, NV
2021
Mining Our Landscape
 Goldwell Open Air Museum (Red Barn Center)
 Rhyolite, NV
2021
New Monuments for a Future Las Vegas
 Nevada Humanities
 Las Vegas, NV
2020
Memories Fade
 UNLV Grant Hall Gallery
 Las Vegas, NV
2019
Annual Juried Student Exhibition
 Donna Beam Fine Art Gallery
 Las Vegas, NV
2019
Seeing With Paint
 UNLV Student Union Gallery
 Las Vegas, NV
2019
Curatorial & Artist Talks
Curatorial:
Stone Soup
 Desert Biennial Project
 Jean Roach Dry Lake Bed, NV
2023
Artist Talks:
BFA Thesis Exhibition
 Marjorie Barrick Museum
 Las Vegas, NV
2023
Religion and the Arts
 American Academy of Religion
 Annual Meeting 2022
 Virtual Conference
2022
Workshops
Art Walk
 Aluminati x UNLV
 Las Vegas, NV
2022
Ana Mendieta
 Aluminati x Marjorie Barrick Museum
 Las Vegas, NV
2022
Art Walk
 Aluminati x UNLV
 Las Vegas, NV
2021
Molybdomancy – Live Tin Pouring Demo
 HeyMaker
 Las Vegas, NV
2021
Bird Houses Workshop
 Trinity United Methodist Church
 Las Vegas, NV
2019
Painting and Crafts Workshop
 North Las Vegas Care Center
 Las Vegas, NV
2017-2019
Permanent Collections
Idly By, 2023Private Collection
2023
Seat of the Witching Hour, 2022Private Collection
2022
La Mijloc, 2020Collection of Goldwell Open Air Museum
2021
Publications, Print, & FIlm
Digital Publications:
"Behind the Mask: Women Welders at the Culture Lab LIC"
 by Art Spiel
 Art Spiel
2024
"Behind the Mask: The Art of Women Who Weld” at Culture Lab LIC Illustrates How Women Are Changing Welding"
 by Courtney Lester
 International Sculpture Center
2024
"Aluminati: Rekindling a Forgotten Future of Foundry"
 by Emily Budd
 Couch In The Desert
2023
"In Depth: an Exhibition of Works in Relief"
 by D.K. Sole
 Couch In The Desert
2021





















































































































